ĪI: If you’re talking about some of the items maybe you have to look around and find, I like the one in the Monsoon battle that you just talked about where the enemy is petting the cat. My favorite gag, you might have seen it in the realtime demo, where Raiden tries to put in a USB drive. We collaborated with them, but it usually came forth from their team. Yuji Korekado, Creative Producer at Kojima Productions: You might think that it’s very Kojima Productions-esque, but all of the humor came out of PlatinumGames. There’s a scene in Denver where you turn around while a boss is lecturing Raiden about war and a soldier is petting a cat and there are those 3D cubes which reference the girly magazines from other MGS games.
Metal Gear Rising: Revengeance seems to have Kojima Productions style humor. It was because of this direction of the character we went with this game design. As a character, we didn’t want him to move back on anything. Even if he’s running towards enemies he is getting rid of bullets, even getting hit by them, but he is always moving forward. We always want him to meet attacks head on and move into a combo. We don’t want him hiding, dodging attacks, or rolling away. Why did you want to make parrying the central defense mechanic for Metal Gear Rising: Revengeance?Ītsushi Inaba, Producer at PlatinumGames: The core concept behind the character in Rising is that Raiden is always moving forward.
In Bayonetta, the main way to evade enemy attacks is to dodge. We asked the team about the game’s defensive system, the no-kill mode, and what they want to with Raiden after Rising. After playing through over three levels in Metal Gear Rising: Revengeance, Siliconera sat down with Atsushi Inaba, Producer at PlatinumGames, and Yuji Korekado, Creative Producer at Kojima Productions.
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